Tyutchev dedicated many of his poems to nature and different seasons. One of these is “Summer Evening”. A brief analysis of “Summer Evening” according to plan, intended for 5th grade students, will help them understand the features of this work. In literature lessons it can be used both as main and additional material.
Brief Analysis
History of creation- it was written in 1866, after Tyutchev experienced a great personal tragedy.
Subject– the value of life, which is so unpredictable that you need to appreciate every moment.
Composition is a one-part work consisting of four stanzas.
Genre– landscape lyrics with philosophical elements.
Poetic size- iambic tetrameter with cross rhyme.
Epithets – “hot ball”, “peaceful fire”, “sea wave”, “wet heads”, “vault of heaven”, “airy river”, “sweet thrill”.
Personifications – “the earth rolled down”, “the stars rose up”, “the stars lifted up”, “the veins of nature”.
Metaphors – “the wave swallowed the fire of the evening”, “the stars lifted the vault of heaven”.
Comparison – “a thrill like a stream”.
History of creation
Tyutchev wrote this work during a difficult period in his life, when he experienced the loss of his beloved and two daughters. And yet, like a true creator, the poet managed to renounce personal tragedy and write a beautiful poem filled with joy and bright feelings. It appeared in 1866, and the history of the creation of poetic lines is closely connected with what the author saw around him.
Subject
The main theme of the poem is the need to enjoy life, to enjoy beautiful moments, because human existence is unpredictable. It is this idea that he expresses through artistic images, symbolically showing the beauty of the world around him.
As a subtle landscape lyricist, he completely detaches himself from his own experiences, trying to concentrate on conveying to the reader the picture he saw. It truly seems to have been painted by a skilled artist who, in addition, was able to convey both sensations and smells.
Composition
From the point of view of composition, this is a fairly simple work: it consists of four stanzas, each of which describes its part of a natural phenomenon. Thus, the first stanza describes a picture of a sunset, from which we can understand that the charm of a summer evening is enhanced by the fact that the lyrical hero contemplates it somewhere by the sea.
The second stanza is a description of the sky, on which the first stars have already appeared, making the firmament seem higher. In the third stanza, Tyutchev describes not only the world surrounding the lyrical hero - when the air flows more freely, not restrained by the heat, but also the human condition: after a hot day, the long-awaited coolness is finally felt, thanks to which it becomes easier to breathe. And this is a gift in itself.
Finally, the fourth stanza is an elusive moment of revival of nature, which has been sweltering from the heat all day. And here the author strengthens the personification: in his interpretation, nature feels like a person who has plunged his hot feet into spring water. This is exactly the feeling of illumination that evening brings.
Genre
This is landscape poetry, in which, however, philosophical motives can also be traced. Tyutchev created a very sensual poem, built on the feelings of a person observing a picture of a summer evening, which has replaced an obviously sultry day. And at the same time, the subtext of the work is obvious: the poet is talking about a person’s life, which should be enjoyed. After all, no one knows what moment will be his last.
The style of presentation is quite unusual for Fyodor Ivanovich, who rarely resorted to romantic techniques. However, it was they who helped him not only create an unforgettable spectacle, but also convey the emotions of the lyrical hero that he experiences while contemplating the beauty of the world around him.
To convey the mood and enhance the poetic effect, the author uses iambic tetrameter and cross rhyme. The simplicity of the poetic meter makes it easy to perceive the poem, while at the same time deepening it and making it diverse.
Means of expression
Tyutchev filled the rather small work “Summer Evening” with a variety of paths. To create an artistic effect he used:
- Epithets- “hot ball”, “peaceful fire”, “sea wave”, “wet heads”, “vault of heaven”, “airy river”, “sweet thrill”.
- Personifications- “the earth rolled down”, “the stars rose”, “the stars lifted”, “the veins of nature”.
- Metaphors- “the wave swallowed the fire of the evening”, “the stars lifted the vault of heaven.”
- Comparison- “a thrill like a stream.”
While creating a solemn hymn to nature, the poet also did not forget about inversions and outdated words, which made it more solemn and convincing.
// / Analysis of Tyutchev’s poem “Summer Evening”
The creative works of Fyodor Tyutchev, dedicated to landscape poetry, have their own characteristics. The author always observed with tenderness and delight the cyclical nature of nature, the changing of seasons, the dying of all living things in the fall and rebirth in the spring. Tyutchev tried not to involve personal life experiences in landscape lyric poems. An example of such work was the poem “Summer Evening”.
This poetic work is a magnificent, lyrical masterpiece of Fyodor Tyutchev. It is in it that the poet uses his favorite literary device - he revives nature and its phenomena. She can breathe, feel, change.
Tyutchev uses comparisons and calls the sun a hot ball. And this ball can be imagined as a headdress of the earth. It is at the onset of evening that she rolls it over the horizon. In an instant, an ordinary sunset turns into an amazing spectacle. And all thanks to the talented skill of the author. The stars come to life in the night sky.
Tyutchev calls air flows a heavenly river, which gives freshness to the surrounding world, freeing from the heat of the day. And everything in nature gratefully accepts such a life-giving flow of air, which helps to take a break from the baking heat. It is this evening coolness that gives a surge of new strength and energy for all living things on earth.
In his poetic work “Summer Evening,” Fyodor Tyutchev builds a kind of chain of natural phenomena that in turn replace each other. The sun is replaced by stars in the dark sky, which is gradually filled with fresh air. Such natural phenomena become the heroes of poetic work.
In the last lines of his work, the poet writes about Mother Nature, who has the power to change all the phenomena described above. Only she can lead and manage them.
Analysis of Tyutchev’s poems “Summer Evening”
A year before writing “Autumn Evening,” Tyutchev created “Summer " These poems are closely related, although written in different keys:
Already a hot ball of the sun
The earth rolled off its head,
And peaceful evening fire
The sea wave swallowed me up.
The bright stars have already risen,
And gravitating over them
The vault of heaven has been lifted
With your wet heads.
The river of air is fuller
Flows between heaven and earth,
The chest breathes easier and more freely,
Freed from the heat.
And a sweet thrill, like a stream,
Nature ran through my veins,
Like hot legs
The spring waters have touched.
In the poem “Summer Evening,” the author practically does not mention the earth, but talks more about the sky and stars. Everything strives upward, to get off the ground.
I have highlighted all concepts related to the sky in bold. The stars “raise” the vault of heaven. All “Summer Evening” is written in halftones: the stars “raised” the sky, “a thrill ran through my veins,” the earth “rolled down” the sun. There are no sudden movements in the poem, everything is smooth and slow. The poet is tormented by forebodings and anxieties, while in “Summer Evening” everything is peaceful, “the chest breathes easier and more freely.”
This poem is dominated by light, calm colors. Contrasts are generally characteristic of Tyutchev’s work. He often created opposite in mood and thought, as happened with the poems “Autumn Evening” and “Summer Evening”. In them one can outline several directions of antithesis: top-bottom; light-dark; life death; calm-storm.
It seems to me that by comparing these poems I was able to show how Tyutchev could perfectly depict completely different landscapes, different states of nature and through them the variability of human states. The man in Tyutchev’s poetry is twofold: he is weak and majestic at the same time. Fragile, like a reed, doomed to death, powerless in the face of fate, he is great in his craving for the infinite. For the poet, the greatness of a person who turned out to be a participant in, or at least a witness to, decisive historical events is undeniable.
In Tyutchev’s lyrics, a person realizes a previously unimaginable and frightening freedom: he realized that there is no God above him, that he is alone with nature - hope for “sympathy from heaven” has been lost. A person “longs for faith, but does not ask for it,” since “there is no point in prayer.” Tyutchev often expresses motives of humanistic despair - he mourns the fragility of the human race. But his poetry is always dominated by the voice of a fighter challenging fate.
Nature, like man, lives, according to Tyutchev, on its own. Tyutchev constantly compares man with nature - and often, it would seem, not in favor of man: human life is fragile, insignificant - nature is eternal, imperishable; nature is characterized by internal harmony, “a calm order in everything” - man is divided, contradictory. However, the poet’s poems do not simply state the weakness of a person - they give rise to a painful feeling of discord with the world around him and a restless thought:
Tyutchev’s nature helps a person understand himself, appreciate the significance of purely human qualities in himself: consciousness, will, individuality, and see that the elements of the soul depend on them. Consciousness itself seems to enhance a person’s “helplessness,” but the disharmony generated by thought does not humiliate, but elevates him. Consciousness awakens the need for a “higher life”, a thirst for the ideal.
Analysis of the poem "Summer Evening" by F.I. Tyutchev.
“The sun is a hot ball...” - thereby proving the above lines.
In Fyodor Ivanovich’s soul, there was far from anxiety and excitement, depression and pressure, but when writing he was so light, so entirely devoted to nature, nature which, in the evening, reveals its beauty, during the day it is also noticeable, but there is no such beautiful sunset, but then brightly sparkling stars. We can conclude that this is a spiritualized poem, it conveys the state of the author’s soul.
The boy received home education. The training was led by a young man who was a poet-translator studying ancient culture. His name was Semyon Raich. It was he who introduced Fedor to many works known throughout the world, both by Russian and foreign creators. The first creative experience was gained under the guidance of Raich and no one else. Fyodor was a good student and by the age of 12 he could easily translate Horace.
In the 18th year of the nineteenth century, F. I. Tyutchev entered Moscow University at the faculty dedicated to the study of literature. He takes an active part in the development of the literary life of the university. He graduates from the educational institution as an external student two years later. He receives the title of Candidate of Literary Sciences and enters the service of the Foreign Affairs Collegium.
He works in Moscow for two months, after which he goes abroad as an official with a specific mission - he is a diplomat. His literary life is not covered up; on the contrary, Fedor has the opportunity to meet many prominent figures in Europe and develop.
Fyodor Ivanovich Tyutchev has lived abroad, namely in Germany and Italy, for at least 22 years. Here he meets his first love, and also meets many world-famous cultural figures. Fedor translates the works of Heine, as well as the philosopher Schelling.
In 1837, the author received a new elevated position, he was appointed first secretary in Turin. It was in this year that he lost his wife, who died of tuberculosis. In 1839 he remarried to his new beloved. Because of this wedding, his career abroad is destroyed. Fedor resigns and settles in Munich, where he lives for another five years. During this time, he tried with all his might to return to service.
In 1944, together with his family, Fyodor Tyutchev went to Russia. Six months later, he enlists in the ranks of Russian diplomats - he enters the service of the Ministry of Foreign Affairs. Here he is very keen on journalism, which is why he writes political articles, talking about the inevitability of a collision between Russia and the West.
Features of F. I. Tyutchev’s creativity
The landscape lyrics of Fyodor Ivanovich Tyutchev are liked by many critics of both past and present times. The works created by the author are compared with the work of world figures. For example, some critics compare the works of Fyodor with the works of Alexander Fet, who, like Tyutchev, wrote poetry with a subtle and thoughtful content.
Despite the similarities that took place in the works, Tyutchev’s poems, which were devoted to descriptions of natural landscapes, as well as admiration for their beauty, there is one important difference. For example, Afanasy Fet’s works are filtered through themselves, revealing the beauty of landscapes that are dear to the heart, as well as various spiritual experiences that are hidden deeply. Fyodor admired the changing seasons and various features of natural nature; he tried to convey to the reader all the details as efficiently as possible, as well as almost elusive moments that an ordinary person does not pay attention to in everyday life. The author abstracts the reader from constant experiences of a personal nature and tries to concentrate precisely on those things that he sees in front of him and describes.
Features of the work “Summer Evening”
It is in this manner, which is described above, that the work called “Summer Evening” was written. This masterpiece was created at an advanced age - in 1866. At the time of writing, the author had already suffered a tragedy. Fyodor Ivanovich Tyutchev lost his beloved, as well as two beloved children. Despite such features, the work does not contain even a single hint of what was going on in the author’s soul at that moment in his life’s journey.
The lyrical hero of the work “Summer Evening” appears in the form of a kind of contemplator. This person has long been able to understand that the path of life is very short. To live a normal and happy life, you will need to enjoy almost every moment that fate presents to you.
Analysis of the poem “Summer Evening”
This work is a very romantic and sensual masterpiece, which reveals the characteristics of Fyodor Ivanovich Tyutchev’s talent to the highest possible quality. The poem contains special notes of romanticism, and amazing turns of phrase that reveal imagery, as well as various symbols that are characteristic of the work of this particular poet.
In the work “Summer Evening” the author uses his favorite techniques. The most common is the identification of natural nature and a certain living creature that is capable of breathing, and thinking about life, and feeling everything around it. Nature transforms from time to time, creating an exquisite illusion of the variability of the whole world.
The sun is compared to a specific hot ball, which is used as a headdress on the earth's surface. It was this object that the Earth rolled off its head when evening came. The entire surface was engulfed in fire, which was suddenly swallowed up by a sea wave.
The work has a very bizarre and, in its own way, pathetic style of presenting textual information and presentation. Such features are characteristic only of romanticism. This case tells about an exquisite sunset, which, with the help of Fyodor Ivanovich’s creative approach, turned into an unforgettable and special spectacle, overflowing with beauty.
Particular attention is paid to many little details associated with the evening sky. For example, stars are represented as pale elements that appear in the sky from time to time. This feature significantly enlivens the entire structure of the work “Summer Evening”. The surrounding airspace in the evening is compared to a celestial river that flows after sunset and gives a peculiar feeling of exquisite freshness. This allows you to breathe easier and also frees you from the usual hot summer day.
The coolness present in the evening is comparable to a certain flow of water, carrying a life-giving force that frees the entire surrounding space. Only she is able to give long-awaited rest to nature, which is exhausted after the sweltering summer heat.
In the work “Summer Evening” Fyodor Ivanovich Tyutchev notes with what ease, full of gratitude, the world around us perceives these gifts from heaven. This promotes the formation of sweet awe in all living beings and plants.
Natural nature in the poem is compared to a beautiful maiden tired of the daytime heat. It is in the cool of the evening that the source of her strength is hidden. She is gaining strength to survive another summer day.
The poem “Summer Evening” reveals many images. As the plot of the work progresses, they line up in a sequential chain and create a hierarchy using key values. The bright sun, pale stars, and air space are part of the natural landscape, which is used and presented by the author in a unique way. Each individual element is an independent hero of the work that does not depend on anyone.
The final lines of the poem “Summer Evening” emphasize as qualitatively as possible that Mother Nature is the real world sorceress and constant worker. Only thanks to her can various metamorphoses come true. They greatly amaze Tyutchev and inspire him to create exquisite works of a romantic nature.
Great ones about poetry:
Poetry is like painting: some works will captivate you more if you look at them closely, and others if you move further away.
Small cutesy poems irritate the nerves more than the creaking of unoiled wheels.
The most valuable thing in life and in poetry is what has gone wrong.
Marina Tsvetaeva
Of all the arts, poetry is the most susceptible to the temptation to replace its own peculiar beauty with stolen splendors.
Humboldt V.
Poems are successful if they are created with spiritual clarity.
The writing of poetry is closer to worship than is usually believed.
If only you knew from what rubbish poems grow without knowing shame... Like a dandelion on a fence, like burdocks and quinoa.
A. A. Akhmatova
Poetry is not only in verses: it is poured out everywhere, it is all around us. Look at these trees, at this sky - beauty and life emanate from everywhere, and where there is beauty and life, there is poetry.
I. S. Turgenev
For many people, writing poetry is a growing pain of the mind.
G. Lichtenberg
A beautiful verse is like a bow drawn through the sonorous fibers of our being. The poet makes our thoughts sing within us, not our own. By telling us about the woman he loves, he delightfully awakens in our souls our love and our sorrow. He's a magician. By understanding him, we become poets like him.
Where graceful poetry flows, there is no room for vanity.
Murasaki Shikibu
I turn to Russian versification. I think that over time we will turn to blank verse. There are too few rhymes in the Russian language. One calls the other. The flame inevitably drags the stone behind it. It is through feeling that art certainly emerges. Who is not tired of love and blood, difficult and wonderful, faithful and hypocritical, and so on.
Alexander Sergeevich Pushkin
-...Are your poems good, tell me yourself?
- Monstrous! – Ivan suddenly said boldly and frankly.
- Do not write anymore! – the newcomer asked pleadingly.
- I promise and swear! - Ivan said solemnly...
Mikhail Afanasyevich Bulgakov. "Master and Margarita"
We all write poetry; poets differ from others only in that they write in their words.
John Fowles. "The French Lieutenant's Mistress"
Every poem is a veil stretched over the edges of a few words. These words shine like stars, and because of them the poem exists.
Alexander Alexandrovich Blok
Ancient poets, unlike modern ones, rarely wrote more than a dozen poems during their long lives. This is understandable: they were all excellent magicians and did not like to waste themselves on trifles. Therefore, behind every poetic work of those times there is certainly hidden an entire Universe, filled with miracles - often dangerous for those who carelessly awaken the dozing lines.
Max Fry. "Chatty Dead"
I gave one of my clumsy hippopotamuses this heavenly tail:...
Mayakovsky! Your poems do not warm, do not excite, do not infect!
- My poems are not a stove, not a sea, and not a plague!
Vladimir Vladimirovich Mayakovsky
Poems are our inner music, clothed in words, permeated with thin strings of meanings and dreams, and therefore, drive away the critics. They are just pathetic sippers of poetry. What can a critic say about the depths of your soul? Don't let his vulgar groping hands in there. Let poetry seem to him like an absurd moo, a chaotic pile-up of words. For us, this is a song of freedom from a boring mind, a glorious song sounding on the snow-white slopes of our amazing soul.
Boris Krieger. "A Thousand Lives"
Poems are the thrill of the heart, the excitement of the soul and tears. And tears are nothing more than pure poetry that has rejected the word.
